This last week I had the pleasure to read some excellent blogs on outstanding practice. It was fascinating to see what fellow practitioners think about great teaching, with exemplary practice outlined in a very helpful way. In this post by David Didau here there is a hugely useful model of what a great lesson looks like. In this post by Tom Sherrington here there is a breakdown about the qualities of great teaching more generally: with a particular focus upon ‘rigour’ (reclaiming it from Govean parody!). I was interested in the overlap and interplay between those two posts. I happened to be teaching ‘Of Mice and Men’ with my Year 10 group at the moment, like David, and I too was being observed. What I wanted to do was not aim to exhibit a ‘showpiece’ one-off lesson (although these can be rattled out the bag by many experienced practitioners to mask a dull daily reality). I was intent on representing the real routines my group exemplify in any given lesson – to display the rigour articulated by Tom Sherrington, combined (hopefully!) with some of the outstanding strategies employed by David Didau.
Although we all feel pressure to perform when observed, we must aim for consistency in our practice before a pursuit of an outstanding lesson judgement, and we must trust in ourselves that this consistency will be rewarded. I have heard from a few wise leaders who have said that if every lesson saw our students display good progress then we would cumulatively see good to outstanding progress in student attainment. Of course, there are a host of important contextual factors to consider, but on a simple level, sticking to the ‘three Rs‘ of relentless and rigorous routines would see students flourish. I do not think it is having low standards to be happy with a consistent sequence of very good lessons, rather than haul ourselves over the coals in an obsessive pursuit of outstanding; it is effective pragmatism and a realisation that rapid progress does not happen every lesson. I have found that some cast iron ‘outstanding’ plans just don’t spark on the day, whilst seemingly simple lessons can smash through the ceiling of mediocrity and see students reach new heights. We must then reflect with care, but without despondency if the lesson doesn’t turn out exactly as we planned or wanted. What is crucial is that we learn from the experience of the lessons that didn’t go well and then tweak our pedagogy to improve still further.
With this in mind I tried to aim for a great sequence of lessons, where hopefully the observation lesson would show an accumulation of skills, rather than a one off showpiece. The following sequence of lessons outlines the planning for most of the week, with the lesson plans for before and after the observation lesson being just as crucial:
- Key question: How does the theme of power link to the theme of loneliness?
- Starter: Who would make the better American president? See PPT. Student feedback: ‘Pose-pause-pounce-bounce’.
- In pairs, create a ‘power map’ using the ‘Character Cards’ resource. The pairing then needs to select three of the characters who have distinctive power relations. – They should co-construct a top grade paragraph that answers the key question. This should be done with students writing alternate sentences (with each partner orally critiquing the sentence of one another) and it should be completed on paper (for the gallery critique).
- Any questions should be posted on the ‘Question wall’.
- Recap the four steps of effective evidence analysis – their group target.
- Recap their proof reading target – each pairing is given two minutes DIRT time on their paragraph (Dedicated Improvement and Reflection Time).
- Complete a gallery critique. Remind students about the criteria for their feedback and how many paragraphs they should read ideally. The critique notes will be made on a post it note – using the ABC feedback model (Agree with; Build Upon and Challenge). Conduct oral feedback.
Tuesday’s Lesson (Observation lesson)
- Key question: How is the theme of friendship presented in relation to the theme of loneliness?Obscure the two themes from the KQ and probe some ideas.
- Starter: Who would you most like to sit next to in class? See PPT. ‘Think-pair-share’ responses using the ABC feedback model.
- Revisit the key question and elicit oral feedback using the ‘Pose-pause-bounce-pounce’ model.
- ‘Just a minute’ recap of last lesson from selected student – link to current KQ (articulate end goal of controlled assessment essay).
- In pairs, use character cards to create a friendship map (this is intentionally an open concept). Ask observer to select a map that is interesting. Get that pairing to rearrange the characters on the PPT slide – (See PPT) – whilst orally articulating their ‘map’. Get other pairings to conduct ABC feedback.
In pairs, write a model paragraph that answers the key question (akin to last lesson). Remind students that they need to write alternate sentences. Show a model PEEL high grade paragraph response – see PPT – with ‘four steps to a successful explanation’ model – see images slide on PPT. Question students about why the paragraph is so successful.
- Have two minutes DIRT time (use highlighters).
- Conduct a gallery critique (teacher model first oral response).
- Key question: How does social prejudice exacerbate loneliness?
- A student is made the ‘Secret Teacher‘ to privately note the best oral responses.
- Individuals note a list of the prejudices present in the novella. In groups, discuss those prejudices. Conduct ABC feedback
- ‘Prejudice Continuum’: the students have to individually select where they think each prejudice resides on the line, from ‘Most individually damaging’ to ‘least individually damaging’. Teacher orchestrates feedback and the ‘Secret teacher‘ orders the answers along the continuum.
- Individual writing of a top grade paragraph addressing the key question. Show two model examples from last lesson and unpick and reiterate key points. Use the question wall for any student questions, with post it notes, and allow a one minute question session midway through their writing. Otherwise, work in silence.
- Have two minutes DIRT time for their writing – with peer proof reading, then individual proof reading. Conduct oral feedback. Select students to read their paragraph, with another student having to give constructive feedback based on our writing targets from the previous week (a four step model to explain evidence).
- The ‘Secret teacher‘ gives feedback on their observations.
(There was a fourth lesson in the week but I wanted to keep the post to a reasonable size!)
Useful resources referred to in lesson plans:
Of Mice and Men 'Character Cards': OM&M Character cards
Review of the week and the ‘Three Rs’
What I hope is evident is that much of the pedagogy in the lesson plans above is repeated to develop and deepen the habits required to produce great learning. Consistency, good habits and routine are king. The first two lessons of the week, in particular, clearly mirror one another to develop the required writing skills. Repetition is often frowned upon in education, with the misguided notion we should be endlessly creative and different to maintain the interest of students. Students derive comfort and increasing expertise through incrementally increasing the level of challenge through the repetition of the most effective teaching and learning strategies, not from an endless array of activities.
The reality of the lessons outlined above is that I also learnt a great deal about where they stumbled on Monday, when student progress that was definitely not outstanding, to actually inform my planning for Tuesday. For example, they failed to analyse the quotations as successfully as I would have liked on Monday, which was rather unexpected, so I added in an A grade model on Tuesday and spent more time modelling the paragraph structure to enhance their quality of analysis in the subsequent lesson. Not every lesson sees rapid progress – to think this is the case is to have a fundamental misunderstanding of human nature…never mind hormonal teenagers! By working at the core habits relentlessly; however, I was able to make ‘marginal gains’ lesson upon lesson – only nuanced, slight improvements, but essential differences (this recognition often becomes easier with experience). Good became better.
Another clear factor about my pedagogy I hope is in evidence is my focus upon questioning see here and oral feedback see here. I couldn’t write those blog posts without practising what I preach! What is clear is that OFSTED are interested in progress- (it is the latest buzz word careering around schools). Some people are therefore quick to mystify this term, complicating what can be the best, and sometimes the most traditional, of teaching and learning strategies: simply asking great questions and eliciting thoughtful, intelligent feedback. When I hear we people explaining ‘mini-plenaries’ every fifteen minutes, or have our students spinning plates in different ‘learning stations’, with no real deep understanding or knowledge, just for when the OFSTED inspectors are in the room, I despair. Stop the showpiece; don’t invite the circus to town – just follow habits of excellent routine pedagogy!
If we develop real rigour in our habits then it will be obvious that students are learning and making good, or sometimes even rapid, progress: clearly in their attitude and demeanour; in the quality of their questions and feedback; in their written work and in their books or folders. Each one of my lessons above allocated time to make improvements (DIRT). It is trained behaviour, that may appear uninspired or lacking the necessary rapidity, but the rigour of proof reading may well be the two most important minutes of those lessons. Any observer should note that rapid progress is often the product of slow reflection! Not only that, it is this regular habit which may well transfer to becoming more settled habits for students when writing at any time in any subject – the learning trumps the chase for a great observation once more. It is a rigorous routine of real note (thank you Jackie Breere for the inspiration for DIRT) – whether a lesson is graded outstanding or not, students will reap the rewards of such sound learning.
When I speak to many colleagues they simply want to be shown what an outstanding lesson is, what it looks like, and how they can replicate it. This is problematic: as outstanding looks, sounds and feels different in different subjects. That being said, some definitive patterns of learning arise in great lessons. For me, those are seeing students highly engaged in responding to challenging questions, posed by a teacher with the highest of standards; it is feedback being artfully weaved around the group, lifting understanding; it is students reflecting with due care attention to their thinking and their work; and it is the palpable sense of motivation and commitment to the task at hand. These patterns are honed by routine, not derived from any off the peg lesson plan or formula for success.
Postscript: I am thankful to David Didau, Jackie Breere and David Docherty for their ideas that have informed my lesson plans outlined in this post.